Welcome to our March round-up of the best new gear for photographers and videographers. While there weren’t as many photography releases this month, we’ve seen plenty of exciting products for video shooters. That said, this month, the big news comes from Fujifilm and Canon. These releases are so significant that we’re dedicating this round-up entirely to them - they’re industry-shakers.
It’s important to note that some of these are still up for pre-order, while others can be shipped to you immediately. Rest assured, we’ll take you through all of it below, so let’s get into our guide to the best new photo and video gear in March…
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Sensor: Likely 102MP medium format CMOS Autofocus: Hybrid AF with AI-assisted subject tracking Stabilisation: In-body IS for high-resolution shooting Video: Expected 8K recording capability Build: Professional-grade weather sealing |
What do you get when you combine an X100 VI and a GFX 100S II? The Fujifilm GFX100RF — a compact and powerful camera built for travel photography.
The Fujifilm GFX100RF is the first fixed-lens camera in the GFX series, combining a 102MP CMOS II sensor with a 35mm f4 GF lens in a compact, travel-friendly body. It features a three-step digital teleconverter (45mm, 63mm, 80mm equivalent), an aspect ratio dial with nine formats, and AI-powered autofocus for precise subject detection. With 4K/30p 10-bit recording, a lightweight 735g design, and Fujifilm’s renowned colour science, it offers a streamlined medium-format experience.
Unlike its interchangeable-lens counterparts, the GFX100RF introduces a dedicated aspect ratio dial and relies on digital image stabilisation for video. It maintains the high-resolution quality of the GFX series while enhancing portability and ease of use. Ideal for landscape, travel, and documentary photography, it provides a versatile all-in-one system with a unique blend of image quality, flexibility, and Fujifilm’s signature film simulations.
Read the full write-up on our product page, or watch our review below.
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Sensor: 1.4-inch CMOS sensor Lens: 16-50mm zoom with bright f2.8 aperture Autofocus: Dual Pixel CMOS AF II with subject tracking Video: Unlimited 4K 60p recording Features: Vari-angle touchscreen and internal ND filter |
We were then hit with a video-centric Canon gear drop, the first of which was the PowerShot V1. Featuring a new 22.3MP 1.4-inch sensor, Dual Pixel CMOS AF II, and a versatile 16-50mm (full-frame equivalent) zoom lens, it produces 4K/60p (cropped) video, 30fps stills and offers advanced stabilisation..
The V1 stands out with its built-in cooling fan, enabling over two hours of 4K/30p recording, plus 4:2:2 10-bit log recording for greater post-production flexibility. The addition of Canon’s Multi-Accessory Shoe allows seamless integration of external microphones and other accessories. The goal here is to surpass smartphone quality while staying compact and easy to use, and it’s that mindset that makes the V1 an exciting new tool for modern creators.
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Sensor: 24MP APS-C CMOS Autofocus: Dual Pixel CMOS AF II with subject detection Video: 4K 30p oversampled from 6K Stabilisation: Digital IS for video Design: Compact body with vertical shooting support |
We’re excited about the launch of the Canon EOS R50 V – a video-first mirrorless camera designed for content creators who demand both quality and convenience. With its 24.2MP APS-C sensor, DIGIC X processor, and Dual Pixel CMOS AF II, this compact powerhouse delivers oversampled 4K 30p video, 10-bit 4:2:2 recording, and Canon Log 3 for enhanced colour grading. Whether you're filming high-quality vlogs, streaming in 4K UVC, or capturing cinematic footage, the EOS R50 V offers precision and creative flexibility in a lightweight 370g body.
This is also the first-ever V series model in Canon’s EOS lineup, introducing a dedicated video mode dial, a front-facing REC button, and on-screen tools like zebra, false colour, and MF peaking for professional-grade control. With support for RF lenses, Wi-Fi and Bluetooth connectivity, and a vari-angle LCD touchscreen, the EOS R50 V is built to help creators elevate their content effortlessly.
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Aperture: Fast and bright f1.4 Autofocus: VCM motor for smooth, precise focusing Optics: L-series quality with 11-blade circular aperture Control: Smooth Iris Ring for cinematic transitions Build: Weather-sealed, lightweight design |
Joining Canon’s family of hybrid RF prime lenses, the Canon RF 20mm f1.4 L VCM is the widest in the range, the others being the RF 24mm, 35mm, and 50mm.
It features the same fast and bright f1.4 aperture, an 11-blade circular diaphragm, and a VCM motor for smooth autofocus performance. This prime lens maintains the compact size and shape of the hybrid range, allowing for quick lens changes when working with accessories and video rigs.
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Focal Range: 14-30mm (22-48mm full-frame equivalent) Stabilisation: Up to 5 stops IS Autofocus: STM motor for smooth, quiet focusing Weight: Lightweight at just 181g Design: Compact, ideal for vlogging and travel |
The RF-S 14-30mm f4-6.3 IS STM PZ is Canon’s first RF-S lens with an internal Power Zoom system, offering 15 selectable speeds for smooth, electronically controlled zoom transitions. Its non-extending design ensures stability on gimbals and rigs, making it ideal for video. As the kit lens for the EOS R50 V, it covers a 14–30mm range, perfect for vlogging and wide-angle shots.
With 5 stops of Optical IS (up to 7.5 stops with IBIS), STM autofocus, and a minimum focus of 15cm, this lens delivers stability, quiet tracking, and sharp detail. Internally, it features Aspherical and UD elements, which enhance image quality. And all of this is in a compact 181g build, making it an ideal choice for content creators.
About the Author
Leo White has been a member of the Wex Photo Video team since 2018, working in a variety of roles ranging from the contact centre to the product setup team. With both a photography BA and MA, Leo has a wealth of knowledge he's ready to share.
