Atomos Shinobi GO

The Atomos Shinobi GO is a compact 5-inch on-camera monitor with a 1500-nit HDR display, designed for creators who need reliable monitoring without camera control. Featuring a Full HD touchscreen and essential monitoring tools like waveform, focus peaking, and false colour, it supports 4K signals up to 30p. With an IPS panel for accurate colour and robust LUT support, it ensures precise image evaluation for photographers and videographers.

Key Features:

• 5-inch Full HD IPS touchscreen with 1920 x 1080 resolution
• 1500-nit brightness for daylight visibility
• HDMI input supports 4K UHD up to 30p and 1080p up to 60p
• Advanced monitoring tools: waveform, vectorscope, histogram, and focus peaking
• 3D LUT support with .cube file loading from an SD card
• HDR monitoring with HLG and PQ compatibility
• Multiple frame guides for cinema and social media formats
• Adjustable zebra, RGB parade, and colourised false colour exposure
• 3.5mm headphone output for real-time audio monitoring
• SD card slot for firmware updates and LUT uploads
• Lightweight design compatible with Atomos Shinobi II accessories

FAQs

Does the Atomos Shinobi GO support 4K input?

Yes, the Atomos Shinobi GO supports 4K UHD input at up to 30p via HDMI. However, it does not support 4K DCI (4096 x 2160) resolution.

Can I use LUTs on the Atomos Shinobi GO?

Yes, the Shinobi GO supports .cube format LUTs with 17- and 33-point options. Users can load up to eight LUTs from an SD card for on-device monitoring.

Does the Atomos Shinobi GO have camera control features?

No, the Shinobi GO does not include camera control via USB-C or LANC. It is designed purely for monitoring without direct camera integration.

Is the Atomos Shinobi GO compatible with existing Shinobi accessories?

Yes, it shares the same size sunhood and accessories as the Shinobi II, making it easy to integrate into existing setups.

What frame guides are available on the Atomos Shinobi GO?

The Shinobi GO includes both cinematic and social media frame guides, such as 2.35:1, 16:9, 9:16, 4:5, and 1:1, ensuring accurate framing for different content formats.